本教程是关于Unreal游戏VFX特效制作从入门到精通视频教程，时长：7小时，大小：8 GB，MP4高清视频格式，教程使用软件：Unreal，Photoshop，Blender等，附学习源文件，共61个章节，语言：英语。 Create effects for games in Unreal Engine 4 with Niagara. Fundamental concepts about Visual Effects. Creating Textures, Meshes and Shaders for Game VFX. This course is about the creation of VFX for Games with Niagara in Unreal Engine 4. You’ll learn how to create Magic Spells, Fireballs, Special Skills and more effects for games. It will guide you from a Beginner standpoint to an Intermediate level in creating Visual Effects with Unreal Engine 4. It contains the theory, the practice and the techniques you need for your future Visual Effects career. Who this course is for: VFX Beginner Unreal Engine 4 Beginners Unity Beginners Game Designers Programmers Illustrators 3D Generalists Artists in General

本教程是关于Unreal虚幻游戏引擎全面核心技能训练视频教程，时长：2小时47分，大小：6.2 GB，MP4高清视频格式，教程使用软件：Unreal Engine 4，附源文件，共58个章节，语言：英语及英文字幕。

本教程是关于Unreal Engine 4真实草地游戏环境制作视频教程，时长：38分，大小：820 MB，MP4高清视频格式，教程使用软件：Unreal，共11个章节，语言：英语，无源文件。

本教程是关于UE4 Speedtree与Quixel超逼真自然植物游戏场景制作频教程，时长：21小时，大小：17 GB，MP4高清视频格式，教程使用软件：Unreal，共114个章节，语言：英语 , 附练习文件。

本教程是关于Substance Painter + UE4 科幻走廊PBR游戏纹理制作视频教程，时长：2小时，大小：2.7 GB，MP4 1080P高清视频格式，教程使用软件：Substance Painter，UE4，共29个章节，语言：英语，无字幕。

本教程是关于UE4实时渲染可视化技术训练视频教程，时长：3小时30分，大小：1.7 GB，MP4高清视频格式，教程使用软件：Unreal，无源文件，共29个章节，语言：英语。 In this course, you will learn everything you need to know about architectural visualization using real time technology with Unreal Engine (UE4), the most advanced and professional real time tool available to arch viz artists (It’s also free). You will also make use of Datasmith, a tool designed to translate your 3d rendering projects into real time (projects can come from 3ds Max, Revit, SketchUp, etc.) The course will be split into several large sections, with some sections coming later as software and techniques evolve.

本教程是关于Unreal虚幻引擎游戏角色面部动画技术视频教程，时长：1小时12分，大小：600 MB，MP4高清视频格式，教程使用软件：Unreal4，共6个章节，语言：英语。 LEARN FACIAL ANIMATION & MORE WITH UNREAL ENGINE 4 & DAZ STUDIO! Both of these outstanding animation programs are FREE and will allow you to create stunning and highly professional character animations. In this course we will go over the simple techniques that unlock the little known animation powers inside of Unreal Engine 4. By using the high quality DAZ3D characters, you will learn how to export any morph targets you'd like from DAZ Studio and then utilize them inside of Unreal Engine 4. REAL TIME ANIMATION RENDERING By far one of the most powerful features of Unreal Engine 4 is the ability to see your animations playing in real time as you work. No more slow, sluggish systems that cramp your style and hinder your animation creativity. Unreal Engine is a breeze to use, and best of all ...it's FUN! When your ready to export your animation to an image sequence for later compositing or to a video file, you will be able to render your animation out in near real time! IN THIS COURSE YOU WILL LEARN: How to prepare your DAZ3D character for export to UE4 with all the morph targets and expressions you wish How to use the PUPPETEER tool in DAZ as a way to export morphs and animations How to properly import your DAZ3D character with it's skeleton, rigging, morph targets, materials and textures Learn where the morph sliders are in Unreal Engine 4 and how to use them Create a realistic blink animation for your character Create side to side and up & down eye movements for your character Animate mouth movements for speech as well as expressions Animate your characters head movements Create and animate believable expressions Learn about amazing new tools that work in conjunction with UE4 such as Allrightrig & Akeytsu Plus much, much more!

本教程是关于UE4游戏动态天空云场景纹理材质实例制作视频教程，时长：2小时20分，大小：3 GB，MP4高清视频格式，教程使用软件：Unreal，共4个章节，语言：英语。 A full run through of creating a Cloud texture to use with a made from scratch master cloud material in UE4. Creating a series of masks to drive form and light effects changes for UE4 Dynamic sky scenarios. Finishing with additional flow map and POM map techniques to bring a full sense of 3D form and organic movement to the cloud formations. Skill Level Intermediate Level, you should be familiar with the basic menus and workflows with, Photoshop, and Unreal Engine 4 Contents – 120 minute walk through covering the entire cloud texture creation in Photoshop and material set up in UE4 – 1080 Resolution – Photoshop source files and targa textures for clouds -Master material setup and material instances for use in UE4 (4.20 and higher) -Maya scene for setup for creating flow maps with fluids (including base flow map texture) -Basic meshes for cloud plane, sky sphere and basic terrain for using in UE4 engine -Textures for Noise mask, flow maps created in video, and Soft sphere normal map

本教程是关于UE4 虚幻游戏引擎4 外星人动画短片 制作视频教程，时长：4小时，大小：4.3 GB，MP4高清视频格式，教程使用软件：Unreal Engine 4，共24个章节，源文件：有，语言：英语。注意：本教程使用了DAZ Studio出的3D模型系列。

本教程是关于Unreal Engine游戏引擎灯光照明技术大师级训练视频教程，时长：超过10小时，大小：2 GB，MP4高清视频格式，附源文件，教程使用软件：Unreal Engine 4，共12个章节，语言：英语。 Create Beauty. Evoke Emotion. Use Lighting to Design the Perfect Atmosphere to Tell Your Stories Unreal Engine is changing all the time and in this course, I bring you my latest methods for creating different lighting moods in realtime. For different needs we need different solutions and this is what I had in mind while creating this course. You see, with GI and Realtime, things get a little complicated. Ideally we would have VXGI (Realtime Gi) working perfectly and all that, but we’re not quite there yet. So in the meantime, we will have different solutions wether we want to create animations or still, depending if the sun is moving or some objects are moveable. Some of the GI will need to be backed in to achieve “that” look but then the lighting can’t change and so on… So what I’ve done here is to devise 4 methods with their own pros and cons which will be useful in different situations. Getting good lighting is all about experimentation. So I’ve created a super simple scene which allows us to try out lots of different setups at high quiality settings without waiting for the Lightcache render too long. Once you’ve mastered 4 methods, you can mix and match the techniques according to your own needs, it’s really easy, simple and quick.

注意：教程原来有21章，但下载包内只有20章，丢失的一章为最开始介绍本教程一些大概情况，无实质教学，并不影响整个学习完整性! 本教程是关于UE4中VFX水雾游戏特效高级技术训练视频教程，时长：9小时22分，大小：7.6 GB，MP4高清视频格式，教程使用软件：Unreal Engine 4, Maya, Photoshop，共21个章节，语言：英语，无附随堂练习文件。 In Introduction to VFX for Games in Unreal, senior VFX artist Jeremy Griffith walks through his thought processes and workflows for every stage of VFX creation for games, from sketch to final animation in the Unreal 4 VFX toolset. Jeremy first lays down some fundamentals with a static water spout project, diving into the details of how to think about natural phenomena (like water and mist) and how to tackle VFX animation through a shader-heavy workflow. Then, Jeremy applies these techniques and assets to a non-static water spell project, covering high-level considerations such as animation principles. Along the way, viewers will gain experience with Photoshop, Maya, the Unreal material editor, and Unreal Cascade. By the end of this tutorial, viewers will have a strong grasp on every step involved in VFX animation for games. Most importantly, viewers will be able to approach the craft with a mindset that is sensitive both to the inner workings of natural phenomena and to the power of animation principles.

本教程是关于UE4中VR虚拟现实室内场景实例制作视频教程，时长：5小时30分，大小：2.5 GB，MP4高清视频格 式，教程使用软件：Unreal Engine 4，3dsmax，VRay，共43个章节，语言：英语。 UDEMY UNREAL ENGINE 4 VR INTERIOR TOUR WITH 3DSMAX VRAY Do You Want To Walk Inside Your 3D Space? Virtual Reality Tour with UNREAL ENGINE 4 Can Do it For YOU! LEARN to USE FUTURE TOOLS – of ARCH VIZ Industry! 3DsMax VRay to UNREAL ENGINE WORKSHOP What You Will Learn? In this workshop you will learn the ENTIRE PROCESS of producing VIRTUAL REALITY walk through TOUR with UNREAL ENGINE – Based of this “LOFT” 3D Space. Modeling and Lighting with 3DsMax & VRay (To get good reference to follow – PRO HDRI LIGHTING METHOD) Cleanup and UVW Preparation Methods for UNREAL ENGINE Import and Assembly 3D Space in UNREAL ENGINE Realistic Textures Creation; Glass, Chrome, Concrete, Brick Walls, Wood, Leaves..etc. Post Production Effects to Get PHOTO-REALISTIC LOOK in Real TIME! Adding Realistic Lights, Ambient HDRI Map, Glow Materials and Animated Water Building and Packaging your project to platforms; Windows, Mac, HTML5…and more. Exporting FULL HD Videos and 4K Images in seconds! * In the future this workshop is going to be updated, and more functions will be added, such as; turning on/off lights, opening doors, changing color/ textures of objects – And you get to ENJOY these updates for FREE! What You Will Get? Over 20 Video Tutorials – Step-By-Step Video Instructions Sample Scenes for EVERY STEP Personal 1:1 FORUM SUPPORT LIVE Weekly Webinars (Will Be Recorded) UNLIMITED ACCESS to Training Materials Sample Scenes for EVERY STEP! SPECIAL BONUS 3DsMax VRay LOFT Scene 3DsMax File includes all the models and textures + VRay TOP QUALITY Rendering Settings Photoshop PSD file with all the Layers and VRay Passes Assembly! How The Training Goes? After successful payment you will get access to this workshop and be able to download all the training materials, watch the videos, repeat my technique by using our sample scenes. IF YOU WISH – YOU CAN USE YOUR OWN SCENE! (But it must be very light – Think Low Poly Game Engine) If you have questions or error you can upload them to our private forum and get feedback. SO NO WORRIES – I WILL PROVIDE SUPPORT ALL THE WAY THROUGH THE TRAINING! What You Can Do After This Workshop? You’ll be able to use UNREAL ENGINE Temples for quick 3D Space adjustments You’ll know how to pack and export your 3D WORLD for multiple platforms You’ll be able to Produce Virtual Reality Tours On Your Own You’ll capture VIDEO and export 4K images in seconds You’ll know Basic Programing Functions and Scripts Why You Should LEARN it NOW? If you really interested in boosting up your skills and start introducing NEW TECHNOLOGY to your clients OR future JOB – This Workshop Is The Right One For YOU! I’m constantly asked if I can provide VR services – and THIS topic is growing FAST – More and More Companies and Freelancers have already implemented that product in their pipeline. STOP wasting time and trying to milk your potential with Old School techniques – UNREAL ENGINE is so EXITING to learn and the good part that you can preserve VRay Quality by using BakeToTexture method! LEARN TO WALK INSIDE YOUR CREATION BRING YOUR RENDERS TO “LIFE”

本教程是关于Unreal制作2D动作游戏实例训练视频教程，时长：3小时12分，大小：1.5 GB，MP4高清视频格式，教程使用软件：Unreal Engine 4，共25个章节，语言：英语。 PLURALSIGHT INTRO TO 2D SIDE SCROLLERS IN UNREAL ENGINE 2D side scroller games continue to enjoy popularity with a time-tested formula of running, jumping, and shooting through the fun obstacle course of long, horizontal game levels. One of the great and easy ways to build these games is through the use of sprite art for all facets of the game. In this course, Intro to 2D Side Scrollers in Unreal Engine, you’ll be introduced to Unreal Engine’s easy and intuitive Paper 2D system, and will explore ways to make the player and world come to life through a combination of sprite animations, environment tiles, and Blueprint logic. First, you’ll delve into importing sprite art. Then, you’ll discover how to to use it for both the player character and the game level. Finally, you’ll learn how to bring it all together to create your very own game. By the end of this course, you’ll have the fundamental knowledge to quickly create and animate new gameplay possibilities to fit within your 2D side scrolling design. Software required: Unreal Engine 4.

本教程是UnrealEngine4游戏场景教程之城堡废墟场景高级教程，时长：1小时40分，大小：0.9GB，MP4高清视频格式，无源文件，教程使用软件：3ds max， Substance ，Zbrush，Unreal Engine 4，共4个章节，语言：英语。

本教程是UnrealEngine4 次时代游戏场景高级教程之洞穴科技空间制作思路讲解及赏析，时长：5小时37分，大小：2.7GB，MP4高清视频格式，无源文件，教程使用软件：Unreal Engine 4，共4个章节，语言：英语。 注意：本教程主要介绍从场景模型，环境设置，材质设置，灯光设置等方面搭建场景的思路和一些制作时的经验及提示，而并不是介绍从零开始一步步搭建场景的过程。

This workshop is for intermediate to advanced environment artists in the games industry that want to hone new skills in photogrammetry to assemble a look-dev environment using Unreal. In this title, Brian Recktenwald goes over the entire process from start to finish and addresses different approaches and techniques used to create a photorealistic, yet stylized, scene. Planning, capturing, clean up and creation of real-time ready models and tileable textures is gone over in detail using Reality Capture, 3ds Max, Marmoset Toolbag and ZBrush. Brian discusses sculpting techniques for rocks using ZBrush and then textures one using Substance Painter with the photo scanned textures as a base. After he has all of the game-ready assets, he goes over the philosophy and approach of “asset gyms” that are often used in production settings to help organize and prep the scene for assembly. Finally, Brian assembles a desert scene in Unreal breaking down material creation, lighting and general philosophies regarding building modular environments for games. Duration: 139 Minutes Format: HD 1920x1080 This workshop is for intermediate to advanced environment artists in the games industry that want to hone new skills in photogrammetry to assemble a look-dev environment using Unreal. In this title, Brian Recktenwald goes over the entire process from start to finish and addresses different approaches and techniques used to create a photorealistic, yet stylized, scene. Planning, capturing, clean up and creation of real-time ready models and tileable textures is gone over in detail using Reality Capture, 3ds Max, Marmoset Toolbag and ZBrush. Brian discusses sculpting techniques for rocks using ZBrush and then textures one using Substance Painter with the photo scanned textures as a base. After he has all of the game-ready assets, he goes over the philosophy and approach of “asset gyms” that are often used in production settings to help organize and prep the scene for assembly. Finally, Brian assembles a desert scene in Unreal breaking down material creation, lighting and general philosophies regarding building modular environments for games. Duration: 139 Minutes Format: HD 1920x1080 This workshop is for intermediate to advanced environment artists in the games industry that want to hone new skills in photogrammetry to assemble a look-dev environment using Unreal. In this title, Brian Recktenwald goes over the entire process from start to finish and addresses different approaches and techniques used to create a photorealistic, yet stylized, scene. Planning, capturing, clean up and creation of real-time ready models and tileable textures is gone over in detail using Reality Capture, 3ds Max, Marmoset Toolbag and ZBrush. Brian discusses sculpting techniques for rocks using ZBrush and then textures one using Substance Painter with the photo scanned textures as a base. After he has all of the game-ready assets, he goes over the philosophy and approach of “asset gyms” that are often used in production settings to help organize and prep the scene for assembly. Finally, Brian assembles a desert scene in Unreal breaking down material creation, lighting and general philosophies regarding building modular environments for games. Duration: 139 Minutes Format: HD 1920x1080 本次研讨会是为中级和高级环境艺术家在游戏行业，要磨练摄影测量的新技能，组装一个看开发环境使用虚幻的。在这个标题，Brian Recktenwald走过去从开始整个过程完成和解决不同的方法和技术，用于创建逼真的，但风格化的场景。规划、采集、清理和实时模型的建立与平铺纹理消失在详细的使用现实的捕捉，3ds马克斯Marmoset Toolbag ZBrush。布瑞恩论述了岩石雕刻技术使用ZBrush然后纹理使用物质的画家与照片扫描纹理为基础。当他拥有所有的游戏准备资产之后，他就去了“资产健身房”的理念和方法，这在生产环境中经常被使用，以帮助组织和准备现场装配。最后，布瑞恩组装了一个沙漠场景，在虚幻的物质创造，照明和建筑游戏模块化环境的一般哲学。 持续时间：139分钟 格式：高清MP4 1920X1080

本视频教程是UE4虚幻引擎游戏原型技术视频教程，时长：15.5小时，大小：3.5 GB，MP4高清视频格式，教程使用软件：Unreal Engine 4，共84个章节，语言：英语。

本视频教程是UE4灯光照明核心训练视频教程，时长：1小时39分，大小：1.6 GB，MP4高清视频格式，教程使用软件：Unreal Engine，共19个章节，语言：英语。 Lynda Unreal Introduction to Lighting Get started lighting your projects in Unreal Engine. Examine the types of lighting in Unreal and learn how to effectively light a scene. This course gets you up and running by covering lighting basics, working with shadows, and using lighting effects. Join Craig Barr as he demonstrates how to create lights, place lights, work with shadows, add reflections, accommodate various shapes, and more.

Lynda Unreal Game Mechanics Creating a Directional Sprint Expand your game development skillset by learning how to implement a common game mechanic inside Unreal Engine 4. In this course, Joel Bradley demonstrates how to create a sprint mechanic that works when the player is running forwards, but stops whenever they move in a side-to-side motion. He covers creating new blueprints, adding variables and conditions, and using lerp nodes to blend everything together. In addition—as you don’t want players to be able to sprint everywhere in the level—he demonstrates how to limit the mechanics somewhat, as well as how to create some motion blends that prevent the player from changing speed too suddenly. 林达不真实的游戏机制创造一个定向冲刺 通过学习如何在虚幻引擎4中实现一个通用的游戏机制来扩展你的游戏开发技能集。在本课程中，乔尔•布拉德利演示了如何创建一个冲刺机制，当运动员向前跑时，该机制起作用，但当他们左右移动时停止。他介绍了创建新的蓝图，添加变量和条件，以及使用lerp节点将所有内容混合在一起。此外，由于你不想让玩家在任何地方都能冲刺，他演示了如何在一定程度上限制力学，以及如何创建一些运动混合，以防止球员改变速度太突然。

本视频教程是UE4虚幻游戏引擎技能训练视频教程之摄像机运动，时长：40分，大小：120 MB，MP4高清视频格式，教程使用软件：Unreal Engine，共17个章节，语言：英语。 Lynda Unreal Game Mechanics Camera Walk Action A swaying or bobbing motion that accompanies players as they walk a level can help add immersion to any game. This course gives the up-and-coming game maker everything needed to implement this common game mechanic inside Unreal Engine 4. The technique relies on Blueprints, the node-based scripting system in Unreal. Joel Bradley starts off with an overview of the Blueprint node and the Timeline node, and shows how to plan an effective Blueprint network. Then he shows exactly how to create a camera shake blueprint, add the effect to the player camera, and—for added realism—speed up and slow down the effect as the character starts and stops walking. Finally, learn how to trigger the effect with player movement and adjust the intensity of shake.

本视频教程是UE4第一人称射击游戏游戏动画大师级视频教程，时长：3小时39分，大小：3.3 GB，MP4高清视频格式，教程使用软件：unreal，maya，共10个章节，语言：英语。 THE GNOMON WORKSHOP CREATING FIRST PERSON SHOOTER ANIMATIONS FOR GAMES This tutorial is for animators that want to focus on creating first person animations to be used within a game project. Veteran game developer and Animation Director, Bill Buckley, showcases techniques and practices that he has used throughout his career on triple A FPS game titles. He stresses the importance on establishing a work flow to ensure proper gameplay specifics such as blending, timing, composition, iteration and assembly in engine. Bill utilizes a first person template project that Unreal provides; this is so an animator can jump right into showcasing functional work without worrying about coding. Bill starts the tutorial by creating a base idle animation that is used as a starting point for all other animations created. He then creates a fire and a reload animation that utilizes both the character rig as well as a weapon rig, then showing how to successfully transfer those assets into Unreal while maintaining precise contact points and timing. Bill also shows how to manipulate existing blue prints within Unreal to achieve the best look and feel for your animations. This tutorial is a must for any animator that has a desire be an integral part of the development of a First Person Shooter title.

本视频教程是由PluralSight机构出品的UE4虚幻引擎中CAD数据可视化技术频教程，时长：2小时03分，大小：1.3 GB，MP4高清视频 格式，教程使用软件：Unreal Engine 4，共28个章节，语言：英语。 Lynda Unreal CAD Data Visualization Unreal Engine 4 (UE4) is a complete suite of real-time visualization tools from Epic Games. In this course, learn how to work with UE4 for CAD data visualization. Craig Barr shares tips for bringing in CAD data that’s Unreal Engine friendly, and explains how to set up a project and scene. After Craig shows how to get your project started, he goes into working with materials and lighting for CAD visualization, and provides an introduction to Blueprints in UE4, which provide a powerful way to visually script nearly anything. Plus, he looks at how to render still images and shows how to output a visualization edit.

本视频教程是由Digital-Tutors机构出品的Unreal Engine 4虚幻游戏引擎全面核心训练视频教程，Digital-Tutors Introduction to Unreal Engine 4，时长：4小时1分，大小：2.9 GB，MP4高清视频格式，附工程源文件，教程使用软件：Unreal Engine 4.0，作者：Joshua Kinney，共31个章节，语言：英语。 Digital-Tutors Introduction to Unreal Engine 4 In this tutorial we will learn the basics of working in the Unreal Editor. We’ll start our journey by learning the basics through exploring the interface, learning how to navigate and manipulate the viewports, how to place and manipulate actors and how to effectively use BSP geometry. Once we’ve gotten the hang of the basics, we’ll dive into blocking out our interior room. Here we’ll learn how the blocking phase is a critical part of creating levels in Unreal. After that, we’ll replace that geometry with static mesh assets that will be used for the final look of our level. From here it just gets better because we’ll learn the basics of material creation, which is one of the engine’s most powerful features. Here we’ll learn how to begin building up a material from scratch and use it to drive our instanced materials. Then we’ll start to create the final look of our level by creating a landscape, complete with foliage, light, and particles. Finally, we’ll just scratch the surface of Blueprint, Unreal Engine 4′s new visual scripting interface, by creating a simple toggleable light.

本视频教程是由Lynda机构出品的VR沉浸式虚拟现实图形场景制作频教程，时长：3小时22分，大小：4.7 GB，MP4高清视频格式，教程使用软件：CINEMA 4D, Maya, Unreal Engine，共55个章节，语言：英语。 Lynda VR Motion Graphics with Unreal Engine Discover how to leverage Unreal Engine to create immersive virtual reality experiences. In this course, learn how to build a real-time motion graphics-style scene in Unreal Engine for deployment on VR headsets. To begin, Scott Pagano covers the proper exporting process out of Maya and importing process into Unreal. Then he moves on to the nuts and bolts of the course—constructing a series of blueprints that provide all the interactivity and logic needed to make your scene work in VR. Scott covers scene building for HTC VIVE and Samsung Gear VR, as well as VR deployment on Android phones. You’ll leave this course with valuable skills that can help you dive into building content for the immersive future.

本视频教程是由Mackleystudios机构出品的UE4虚幻游戏引擎核心技术训练频教程第一季，时长：1小时10分，大小：780 MB，MP4高清视频格式，教程使用软件：Unreal Engine 4，作者：Hassen Samaali，共5个章节，语言：英语。 MACKLEYSTUDIOS UNREAL ENGINE 4 VOLUME 1 A TOUR OF THE BASICS BY HASSEN SAMAALI UE4 is one of the most power engines in the video game industry. It has been used to create titles like Gears of Wars, Batman, or Final Fantasy. We will begin our series of tutorials on Unreal Engine starting with the basics of the software, how to install UE4 on our machine, a tour of the interface and viewport navigation, how to place and transform objects in our game, and how to use the content browser.

UE4 Melee Combat Tutorial ARPG游戏制作技术视频教程 总容量:6.23Gb 语言: 英文

本视频教程是由Lynda机构出品的UE4虚幻游戏引擎室内建筑可视化视频教程，时长：3小时16分，大小：4.9 GB，MP4高清视频格式，教程使用软件：Unreal Engine 4，共28个章节，语言：英语。 Lynda Unreal Architectural & Industrial Visualization Unreal Engine 4 (UE4) offers a suite of tools made for real-time visualization that you can use to create unique experiences outside of the traditional games industry. In this course, learn how to use UE4 to build a first-person perspective project. The course begins by going into asset preparation for UE4, and how to organize assets within the project structure. Next, learn about building materials and lighting for effective and compelling real-time rendering. The course wraps up by looking at three ways you can present your visualization project: as images, as video, and as an interactive, playable game.

本视频教程是由Lynda机构出品的UE4引擎中VR虚拟显示室内建筑体验技术频教程，时长：40分，大小：3.1 GB，MP4高清视频格式，教程使用软件：Unreal Engine 4，作者：Craig Barr，共28个章节，语言：英语。 Lynda Unreal Virtual Reality for Architectural & Industrial Visualization In an industry known for constant change and innovation, virtual reality (VR) stands out as a uniquely fascinating way to view content. Learn how to take your Unreal Engine 4 (UE4) visualizations to a new level with VR. Before you take this course, you might want to check out 3D Content Creation for Virtual Reality; this provides you with a solid understanding of VR principles before you dive into working with VR in a UE4 scene. In this course, examine how an existing project must adhere to specific rules in order to be convincing in VR space. Plus, learn solutions for potential problems with 3D content and VR, like motion sickness, as well as scene navigation options. Topics include: • Considering VR as a presentation tool and a design tool • Selecting your VR gear • Migrating projects • VR scene adjustment tips • Real-world scale in VR • Textures, details, and navigation in VR • Dealing with motion and VR sickness • 主题包括： 考虑VR作为演示工具和设计工具 选择你的VR齿轮 迁移项目 VR场景调整提示 虚拟现实世界 VR中的纹理、细节和导航 处理运动和虚拟疾病

本视频教程是由Udemy机构出品的3A级游戏道具制作训练视频教程，Udemy Masterclass Modeling 3D Props for AAA Games，时长：20小时，大小：9.5 GB，MP4高清视频格式，教程使用软件：3ds Max，Substance Painter，Unreal Engine，作者： Nataska Statham，共153个章节，语言：英语。 Udemy Masterclass Modeling 3D Props for AAA Games Software used 3ds Max and Substance Painter As well as hands-on modeling, you’ll also learn how to approach the process as a professional artist: using a reliable pipeline and techniques that you can apply to any project, guaranteeing quality results on time, every time. We’ll also discuss the best use of edge-flow, how to avoid and correct construction errors, and real-time specific considerations. Because we’re aiming at high end AAA games, we want to bring the model to the high level of quality that’s expected of game productions today, while keeping our polycount efficient – something that many professional game artists struggle with as we transition from props that used to have on average 1000-3000 triangles on the first LOD, to props that now have around 5000 triangles or more – as is the case with Witcher 3. When texturing, we’ll take advantage of Substance Painter, a 3D painting application that’s quickly becoming standard in the games industry for hard-surface models, such as this crossbow. We’ll easily create blends between various finishes of metal – polished, scratched and hammered – while at the same time adding details to the normal map, ensuring that all maps align and complement each other. And because Substance Painter is geared towards PBR materials, the creation of metallic and roughness maps is both easy and intuitive

THE GNOMON WORKSHOP CREATING GAME READY ANIMATIONS FOR PRODUCTION This tutorial teaches many of the skills needed to become a successful game animator; one that has an understanding of how their animations are used to create systemic solutions within a third person game project. Students are introduced to the powerful animation tools and capabilities within the Unreal Editor. Veteran game developer and Animation Director, Bill Buckley, guides students through multiple lessons while showcasing techniques developed throughout his career to speed up production, as well as ensure that the iteration process is streamlined and effective. He begins by using the ART Maya rig, provided by Unreal when you download the Unreal Editor, to create and replace existing animations within a provided project template, demonstrating how animation assets are used within a game project. Bill then moves into more advanced techniques by creating a three hit attack combination. Using an Animation Montage, he showcases how each combo of the attack has a successful blend and fail condition based on user input. In the end, viewers will have an understanding of how their animation assets will be best utilized within a game project, and what skills would be needed to showcase their ability to be a game animator. Gnomon工作室生产创造游戏准备的动画 本教程教了很多需要成为一个成功的游戏动画的技巧；有他们的动画是用三分之一人称游戏项目中创建的系统解决方案的理解。学生被引入到强大的动画工具和能力，在虚幻的编辑器。老牌游戏开发商和动画导演，Bill Buckley，引导学生通过多个教训同时展示发达在他的整个职业生涯，加快生产技术，以及保证迭代过程是合理的和有效的。他开始使用的艺术玛雅钻机，提供的虚幻当你下载虚幻编辑器，创建和更换现有的动画在一个提供的项目模板，展示了如何使用动画资产在游戏项目。比尔然后移动到更先进的技术，通过创建一三命中的攻击组合。使用动画蒙太奇，他展示了如何相互组合的攻击已经成功的混合，不能根据用户输入的条件。最后，观众会理解他们的动画将资产最佳利用游戏项目中，和什么样的技能将需要展示自己是一个游戏动画师的能力。

本教程是由Pluralsight机构出品的Substance Painter模块化结构游戏纹理制作视频教程，时长：6小时，大小：5.3 GB，MP4高清视频格式，附工程源文件，教程使用软件：Substance Painter 2, Unreal Engine 4，共16个章节，语言：英语。 GUMROAD FOREST SNOW GROUND COMPLETE PACKAGE We will be creating a forest snow landscape ground. This is the continuation of the “Forest Ground” Tutorial. Using Substance, the Unreal Engine, and more, we will be creating a landscape similar to the one above! Let’s have some fun! Thanks for the support ?? The Complete Package includes: – 4 Bonus Timelapse Videos for extra learning! – Additional Grass Ztool and source files (Substance, Maya, Unreal, Zbrush) – Includes all 12 Standard Tutorial Videos for Forest Snow Ground – Unreal Engine Demo Scene Includes: – 16 HD Videos (Including the 4 Bonus Videos in the Complete Pack) – 6+ Hours of Videos – Unreal Engine Files Ver. 4.11 – 1K Texture Sheets PNG – 3 Substance Designer Graphs – 1 Ztool for snow clumps – 1 Ztool for grass – OBJ/FBX Files for snow clumps – Tutorial reference images – Scene Breakdown PDF File *Tutorial Does not contain the trees, no videos or files for tree creation. They are only for display purposes in the scene* 教程中不包含的树,没有视频或文件树的创建。他们只是在现场展示的目的

本视频教程是由3DMotive机构出品的UE4虚幻游戏引擎手机游戏制作视频教程，时长：1小时57分，大小：2.4 GB，MP4高清视频格式，教程使用软件：Unreal Engine 4，共10个章节，语言：英语。 3DMOTIVE MOBILE GAME PUBLISHING IN UE4 In this course Chad Morgan is going to be summarizing everything he has learned form his experience in publishing his first mobile game so your experience in making your own mobile game will go more smoothly. In this lesson, he’ll show you some of the issues he had building a game on mobile. He will discuss things like limitations in joint count, polygon count, and shader complexity. Then go through the process of setting up Unreal for developing for Android. He’ll show how to install the correct Android SDK for Unreal and how to move from development to deployment. He’ll then upload our game to the Google Play store and set up things like achievements, leaderboard, and in-app purchases. From there port the project over to the Mac using Mac-In-Cloud, get the mobile provisioning profiles from the Apple Developer site, and upload his game to iTunes Connect. 在本课程中，Chad Morgan将总结他所学到的一切，他在出版他的第一个移动游戏的经验，所以你的经验，使你自己的手机游戏将更顺利。在这一课中，他将向你展示他在移动游戏上建立的游戏的一些问题。他将讨论类似的问题，如联合计数，多边形计数和着色的复杂性。然后通过建立虚幻的开发为安卓系统的过程。他将展示如何安装不正确的Android SDK和如何从开发到部署。他会再上传我们的游戏在谷歌Play商店和设置之类的东西的成就，排行榜，并在应用程序内购买。从那里的港口项目在使用Mac在云的Mac，从苹果开发者网站获取移动配置配置文件，并上传自己的游戏在iTunes Connect。

本视频教程是由3DMotive机构出品的UE4游戏置换贴图技术训练视频教程，时长：1小时09分，大小：1.4 GB，MP4高清视频格式，教程使用软件：Unreal Engine 4，作者：Ash Thundercliffe，共8个章节，语言：英语。 3DMOTIVE DISPLACEMENT VS PARALLAX MAPPING IN UE4 To start off this course, we will be looking at the various ways of displacing textures within UE4. We will then discuss in detail the pros and cons of each method and the best ways they can be utilised for a video game environments. Once we understand the various methods used we will begin the creation process starting with the Height maps. I’ll then talk you through the different methods of creating height maps and the different software available for creating them which will include; using a high to low poly workflow for height maps, creating height maps in photoshop and also generating height maps from images using software like Knald, Crazy Bump and xNormal. After creating our height maps I will then talk you through in detail how to create the individual displacement materials in UE4 which will include; bump offset materials, parallax occlusion materials and tessellation. I will talk you though each node used in detail and ways we can set up an instance material so we can edit our displacement material in real time in engine. By the end of the course you will have a better understanding of the nodes available in the UE4 material editor and be able to utilize them to create much more realistic materials for your video game environments.

本视频教程是由3DMotive机构出品的UE4虚幻游戏引擎汽车材质制作视频教程，时长：2小时29分，大小：1.6 GB，MP4高清视频格式，教程使用软件：Unreal Engine 4，作者：Chidi Mbadugha，共8个章节，语言：英语。 PLURALSIGHT CREATING AUTOMOTIVE MATERIALS IN UNREAL ENGINE 4 In this course, Creating Automotive Materials in Unreal Engine 4, you’ll learn how to create stunning automotive materials in the Unreal Engine 4 editor. First, you’ll learn the process of car paint creation for your model. Next, you’ll learn the material creation process for rubber, plastic, and glass. Finally, you’ll learn about seam-lining and post processing. By the end of this course, you’ll be able to create a host of materials that can be applied to more than just car models. Required Software: Unreal Engine 4

Lynda - UE4 UnrealEngine4 虚幻4 Learn Lighting 虚幻引擎灯光教程，容量3.6Gb，英文，带工程文件。 Unreal's shading and lighting pipeline now approaches film quality, thanks to its implementation of advanced features such as Lightmass global illumination. What more can you want from an open-source game engine? Join Tom Sirdevan as he shows how to create realistic, physically based lighting for your own games with Unreal Engine 4. He begins with a look at direct lighting (point, spot, and directional lights) and then moves into the indirect lighting domain, including skylights, global illumination, and reflection capture. Learn how the lights differ, and how to optimize their use for real-time performance with static, stationary, and dynamic game types. Chapter 3 covers deferred shading, distance fields, and dynamic skies with Blueprint. Post-process effects like bloom, lens flare, vignettes, and depth of field finish off the scene and the course. Topics include: • Direct lighting • Indirect lighting • Creating a sky with Blueprint • Deferred shading • Dynamic sky and sun 不真实的阴影和照明管道现在接近电影的质量,由于其实现Lightmass全局照明等高级特性。还有什么你想从一个开源游戏引擎吗?加入汤姆Sirdevan他显示了如何创建现实的,身体基础照明和虚幻引擎为自己的游戏4。他开始看直接照明(现货,和方向灯),然后进入间接照明领域,包括天窗,全局照明和反射捕获。学习灯光不同,以及如何优化使用实时性能与静态的,静止的,和动态博弈类型。第三章涵盖了延迟渲染,距离字段,和动态的天空与蓝图。后处理效果像开花一样,镜头光晕,小品文,景深完成现场和课程。主题包括:直接lightingIndirect lightingCreating天空与BlueprintDeferred shadingDynamic天空和太阳

本视频教程是由GUMROAD机构出品的Unreal Engine 4游戏环境场景艺术创作视频教程，时长：10小时，大小：13.7 GB，MP4高清视频格式，教程使用软件：Unreal Engine 4，作者：David Lesperance，共58个章节，语言：英语。 本教程中，我们会学习制作流行游戏艺术的几个例子。课程中，讲师会为我们展示使用Unreal Engine 4制作游戏艺术的过程，以及使用不同的DCC应用软件制作高端游戏艺术的过程。本教程适合Unreal Engine 4的新用户学习，也适合想学习游戏环境艺术新技术的学员。 Gumroad Intro To Game Art by David Lesperance In this demo you will get a several examples of making current game art. I will walk you through the process of making game art for Unreal Engine 4 as well as using several different DCC Apps to make high end game art. This course is geared for individuals starting out as well as people wanting to learn new techniques around game Environment Art. Includes two making of’s Normal Mapping Help Intro to Unreal UI Intro To Unreal Materials Intro To Lighting Intro To PBR VR workflows and Tips and Tricks

本视频教程是由Worldofleveldesign机构出品的UE4虚幻游戏引擎初学者指南视频教程，时长：7小时，大小：2.2GB，MP4高清视频格式，教程使用软件：Unreal Engine 4，共42个章节，语言：英语。 WorldoflevelDesign UE4 Fundamentals The Essential Beginner’s Guide to Getting Started with Unreal Engine 4 Learn how to use Unreal Engine 4 from the beginning, no previous knowledge or experience necessary 42 videos and 7 hours of video tutorials

本视频教程是由PluralSight机构出品的Unreal Engine 4虚幻游戏引擎中VR虚拟现实基础训练视频教程，时长：2小时04分，大小：750 MB，MP4高清视频格式，教程使用软件：Unreal Engine 4，作者：Nathan Glemboski，共23个章节，语言：英语。 PLURALSIGHT MAKING A VR EXPERIENCE IN UNREAL ENGINE 4 VR is an incredible and fast-growing new form of media. This course will take you through the basics of making your own VR experience in Unreal Engine 4, covering setup, tracked headsets, controlling interactions and more. With the sudden rise of high quality virtual reality hardware, many are left scrambling to create content for this exciting new platform. This course, Making a VR Experience in Unreal Engine 4, will walk you through the basics of what VR is and how you can start making good use of it. You’ll learn how to set up a VR project from scratch in Unreal as well as how to build systems of interaction that make use of a tracked headset. You’ll also learn how to control interactions through the HMD and avoid playing an action or animation when the viewer isna

本视频教程是由Lynda机构出品的Unreal Engine 4游戏动画特效制作视频教程，时长：4小时17分，大小：2 GB，MP4高清视频格式，教程使用软件：CINEMA 4D, Maya, Unreal Engine 4，作者：Scott Pagano，共61个章节，语言：英语。 Unreal软件将3D动态图像和实时游戏引擎的处理能力之间的距离拉近。您可以在熟悉的工具（CINEMA 4D和Maya）中制作内容，并使用Unreal为其添加动画和渲染效果。Unreal软件帮助我们制作出华丽的动画特效，避开传统三维工具耗时的渲染过程。本课程为运动图形设计人员提供Unreal Engine 4 (UE4)中实时动态图像的快速入门指南。讲师 Scott Pagano为我们讲解了如何准备和导入静态和动态的几何形状，动画对象和带有Matinee编辑器的摄相机。他为我们演示如何用Unreal中的灯光和阴影工具布置场景，并且教我们如何在After Effects等软件中导出视频文件和图像序列，进行进一步细化。接下来的一章，通过对三个实践项目的学习，我们会了解到Unreal强大的工作流程。这种对于动态图形的前瞻性思维方式为我们展示了如何以一种现代，高效并有趣味的方式制作3D图像。 Lynda Realtime Motion Graphics with Unreal Engine 4 Unreal bridges the gap between 3D motion graphics and the processing power of real-time game engines. You can create content in familiar tools (CINEMA 4D and Maya) and use Unreal to animate and render those assets. This workflow allows for the creation of gorgeous imagery while bypassing the traditional time-consuming rendering process of traditional 3D tools. This course offers mograph designers a quick-start guide to real-time motion graphics in Unreal Engine 4 (UE4). Scott Pagano shows how to prep and import both static and animated geometry and animate objects and cameras with the Matinee Editor. He shows how to flesh out your scenes with Unreal’s lighting and shading tools, and export video files and image sequences for further refinement in software such as After Effects. Following the quick-start chapter are three real-world projects that demonstrate the power of the workflow. This forward-thinking approach to motion graphics leaves antiquated processes behind and presents modern, efficient, and fun ways to create 3D imagery. Once you have a grasp of how to import, animate, and make your content look great in UE4, the doors are open to dive into worlds of virtual reality, gaming, and interactive content. Check out more of our Unreal training here.

3DMotive机构出品的Unreal Engine角色动画驱动训练视频教程第一季 3DMotive Quicktime Events in UE4 Volume 1，时长：1小时20分，大小：2.2 GB，MP4高清视频格式，附工程源文件，教程使用软件：Unreal 4，Maya，作者：Matt Tardiff，共8个章节，语言：英语。 3DMotive Quicktime Events in UE4 Volume 1 In this course, we’ll dissect the process for creating Quick Time Event driven animations in Maya. After exploring the fundamental needs of basic character locomotion and interaction, we’ll prepare and export our animations to Unreal 4. Within UE4 we’ll set up a playable environment where the characters will move from player control to executing QTE driven animations based on player input following on screen button notifications. Upon finishing this two volume series you’ll have a better understanding of the Maya to UE4 animation process, Blueprints, Events and Matinee, pHAT and setting up keyframe to ragdoll execution. 3DMotive机构出品的Unreal Engine角色动画驱动训练视频教程第二季 3DMotive Quicktime Events in UE4 Volume 2，时长：2小时20分，大小：3 GB，MP4高清视频格式，附工程源文件，教程使用软件：,Unreal 4，Maya，作者：Matt Tardiff，共14个章节，语言：英语。 3DMotive Quicktime Events in UE4 Volume 2 In this course, we’ll dissect the process for creating Quick Time Event driven animations in Maya. After exploring the fundamental needs of basic character locomotion and interaction, we’ll prepare and export our animations to Unreal 4. Within UE4 we’ll set up a playable environment where the characters will move from player control to executing QTE driven animations based on player input following on screen button notifications. Upon finishing this two volume series you’ll have a better understanding of the Maya to UE4 animation process, Blueprints, Events and Matinee, pHAT and setting up keyframe to ragdoll execution.